10/10/2023 0 Comments Download euphronios![]() CRUCIAL POINT: IT IS THE FLEXIBILITY OF THIS NEW TECHNIQUE WHICH ALLOWS EUPHRONIOS TO MAKE THESE INNOVATIONS. Innovations This vase by Euphronios is the first one to show an attempt at showing 3 dimensions.His poses and the detail shown in his musculature suggest he spent time observing real wrestlers. Background painted with black slip Red vase colour left to show through Darker slip colour used to show detail More dilute slip colour used to show finer muscle detail This technique allows Euphronios more flexibility and makes his painting more realistic.BALANCED SYMMETRICAL The two central figures, locked together, frozen, mid-fight, form an inverted-V These two figures form the outer, vertical lines in the W-shape On either side of the W-shape, Exekias places vertical figures to maintain symmetry. Composition The composition is framed above by a palmette band, and below by a lotus and palmette band.His mouth is open and his teeth are bared in a grimace of pain, and his bushy eyebrows show a frown. His right arm lies useless on the ground and he tries to loosen Herakles’ grip with his left hand. Antaios’ legs are useless: Herakles’ grip on his neck means Antaios cannot turn to get a stronger position. Antaios Shown in frontal view – Antaios is on his side.His whole body shows the strain of the fight: his calves, his thighs and his torso are all tense. ![]() He holds Antaios in a vice-like grip around the neck. Down on his right knee, with the left outstretched behind, Herakles is driving forward – a very strong position. See p.40 in Black text for wider view Herakles’ gear, including bow and arrow, and the trademark club and lionskin cloak A female supporter of Herakles watches the fight Two female supporters of Antaios also watch.Dimensions Height: 46cm Diameter of neck: 55cm.Euphronios Calyx Krater 510-500 B.C White text: p.39-41 Black text: p.39-41. ![]()
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